guitar bright fresco

Wrote a new song. Loved it. Well, most of it. I was having a little trouble with the bridge, which didn’t seem to lead anywhere. So, I played the song for my music partner Bill Williams, expecting him to suggest a little touch that would do the trick for the trouble spot. He floored me by saying that when he looked at my lyrics, he was hearing a completely different rhythm and tempo overall. I so wanted him to be wrong. “But I love this rhythm and tempo…” I kept thinking.

If I have learned one thing about writing it is this: Beware when you are saying to yourself, “But I love this…” Last night, I forced myself to try Bill’s suggested rhythm and tempo and the song came to life. As I was singing, new lyrics came to me for that troubled old bridge over which I had labored. I can’t even remember now what I loved so much about the old song.

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Reading The Deportees and Other Stories by Roddy Doyle for my book group. Love the writing.

The opening story is about a father–Larry– who is meeting his daughter’s boyfriend. While the boyfriend is cool and poised, the father feels himself unraveling. It’s told in 3rd person and here are my favorite lines:

“He [Larry, the father] could feel his heart kicking the blood straight to his cheeks and armpits.”

and

“It wasn’t fair. Larry felt exposed, stupid and even more angry and hopeless. And your man over there just looking back at him, like he was an ad on the side of a bus shelter.”

Write on!

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pencil

As a fiction writer, you have to know your character’s back story (what has happened in your character’s life before your story begins) and you need to carry it with you as you write. If you don’t, you lose authenticity.

Let’s say your main character’s mother drowned years ago and, at some point in your novel, your character goes on a boat ride. Well, if your character never once thinks about her mom while on that boat ride, then something will probably feel false or missing about the scene to the reader even if the reader isn’t conscious about what’s missing.

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Thomas Kaufman, author of the new detective novel, Steal the Show, gave this tip at a recent booksigning: Turn off your monitor when you’re writing your novel. When you’re not looking at your words as they appear on your screen, you’ll be more likely to get into the flow and stay in character.

Have you ever tried this?

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Jim Benton, author of the popular Dear Dumb Diary series, says that the diary format frees him up.  When he gets into character, in this case the “writer” is a middle school girl named Jamie Kelly, he lets it all pour out. “Jamie can write about anything because she thinks nobody will read it.”

If you’re stuck, try pretending that you are another character writing in a diary. Let it all out!

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People ask where ideas for books (or scenes within books) come from. I think one of the most important things to do is very simple: Pay attention when you laugh. If you are sharing an anecdote or a family story with a friend, and you’re laughing about it, that means there’s some gold to mine in that story.

The Naked Mole-Rat Letters

For example, when talking with other parents about the trials of parenting teens, I would often retell the story of my brother-in-law literally taking the bedroom door of my teenage nephew off the hinges to force more transparency into the household. We’d laugh over it. Then when it came time for the father in my The Naked Mole-Rat Letters to do something radical to show his daughter than he wanted her to stop lying and hiding, he went for the power screwdriver. The scene had humor, truth, and heart…all because of that detail.

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pencil and sharpener

Children have a lot of writing assignments in school. Often, time for creative writing is squeezed out of the curriculum. If you are a teacher who wants to introduce/encourage more creative writing, here are some ideas. Please email me at info@maryamato.com if you have ideas you’d like to share.

Keep a Writer’s Notebook. See my Tips for Keeping a Writer’s Notebook for more info.

Create a Writer’s Corner. Stock it with pencils, paper, materials for making mini-books, a mirror for looking at facial expressions (in order to be able to describe them), a phone book or baby naming book for character name ideas, and more.  Encourage kids to write a poem or story during free time. Encourage kids who are upset about something to write about it.

Try a “collaborative” journal with your class. In my book, Please Write in This Book, the teacher leaves a blank book in her room asking students to please write in it.

Be open to “silly” writing. Students may be inspired to write a story that you think is ridiculous or silly. Remember, creative writing is not about creating something perfect or something necessarily profound. Be open and encourage creativity, and the child will want to keep writing.

Encourage all kinds of writing. Stories, poems, songs, plays, cartoons, comics, etc.

Allow reluctant writers to dictate to you or a volunteer/assistant. Be a scribe, not an editor. Use the child’s exact words.

Embrace and encourage mistakes. The goal is to increase creative fluency and make writing fun. Save the grammar and spelling lessons for later. The truth is that my rough drafts are riddled with mistakes. I’m pushing myself to get something down without trying to edit as I go…children should be allowed to have the same writing process.

Ask questions if the student gets stuck. What is the story or poem about? If it’s a story, who is your main character and what does your main character want?

Talk it through one sentence at a time. If the student has trouble organizing or keeping track of thoughts, ask him/her to tell the story aloud one sentence at a time. Write down one sentence at a time.

Write yourself. Model enthusiasm by writing and sharing your own creative stories and poems– especially your “mistakes” or the ones that didn’t turn out as well as you’d like or the ones that you’re having trouble finishing.

Encourage the child to use his/her own voice. Rather than trying to “be poetic,”  or to cram lots of big words into a story, it’s important for a child to learn to capture his/her own voice.

Create venues for sharing writing.

  • Have a “literary reading” and invite friends and family
  • Create podcasts of work
  • Publish work on a website
  • Encourage students to submit to writing contests.
  • Establish a young author’s club
  • Hold a Young Authors celebration, publishing and sharing books

Try “dialogue journals”  between students. Link students who enjoy writing by encouraging them to write to each other by passing a designated notebook back and forth.

Give the gift of the written word. Model meaningful writing. Write real, meaningful messages to your class in your own voice on special days or for special events. No hallmark cards. Say what is really in your heart. This will make a big impression.

Create special “Everybody Writes” Sessions. Help kids to get in the mood by playing an unusual piece of music, lighting a candle (if your school allows this), dimming the lights, asking everybody to sit in a different seat, etc.

Shake things Up. Ask your students to get their creative juices moving by first dancing to an awesome piece of music and getting their bodies moving. Then sit down to write…


For encouraging story writing, use my WOW story technique to get started.

What is a WOW story?

WOW is an acronym that I created to help kids remember a simple story structure.

  1. The story has a main character who Wants something. This is the beginning of the story.
  2. There is an Obstacle that gets in the way of the main character. This is the middle of the story.
  3. The main character either Wins or loses. This is the end of the story.

How to make up WOW stories

  1. Choose a main character. This can be a person, an animal, or even an object: for example, a boy, a grandmother, a soccer star, a sock, or a paintbrush!
  2. Decide what the main character wants. What might a paintbrush want? Some paint to play with? To belong to a famous artist? Try unexpected ideas. A grandmother might want to ride a motorcycle!
  3. Decide what will get in the way of the main character’s desire. Brainstorm lots of obstacles and decide which one is the most fun or engaging. Obstacles can be simple. A rabbit wants to eat grass on a hillside, but a tiger lives on that hillside. The tiger is the obstacle. A boy wants a new bike, but his father says no. His father is the obstacle. Obstacles can also be emotions. What if a girl wants to ice skate, but she is afraid that she’ll fall down? Fear is her obstacle.
  4. Decide how/if the main character will “win or lose.” Does your main character get what he or she wants in the end? How?

Write or perform WOW stories

Write or dictate your story: Write your stories on paper. Or make a book by folding pages and stapling them together. If your child hasn’t learned how to write yet, ask him or her to tell you the story and write it down word for word.

Act your story out: For reluctant writers, try acting out the story first. After you have brainstormed the basics for a specific WOW story using the steps above, act out the story. Choose a narrator who will tell the story and provide cues for the actors. This can be the job of the parent or a child. The narrator should be very clear and say “The End” so that everyone knows when the story is over. After acting out stories, the child may be more interested in writing them down.

Copyright © 2011by Mary Amato. Permission granted to copy for educational use.

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“I don’t know [expletive] about words. The reason the language comes out that way is, it’s me just trying to get out of the way.” This provocative quote from Irish playwright Enda Kenny (from a recent Washington Post article by Peter Marks) speaks to an important concept that I am continually stressing to students. Writing is about ideas; words serve the story. Too much writing instruction and critique-group feedback focus on the superficial level of the sentences. A fiction writer who is too conscious about constructing beautiful or clever sentences puts his/her mind into the inkwell of pen, instead of into the heart/mind/soul of the character, which is where it needs to reside in order to write a story.

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