Mary Amato and Jessica Scheller
When I signed a book for Texas media specialist Jessica Scheller, she asked me if I would be willing to use a special pen.

Jessica Scheller, an Information Literacy Specialist at Bethune Academy, a third and fourth grade campus in Aldine ISD  in the Houston area, has a very cool display of pens used by authors to autograph books.

Here’s her explanation:

“I started a display case in my library that has the title “Authors Write Here”.  I decided to begin a collection of books signed to the students of my campus by popular authors. To make the collection even more special, I have a large plastic test tube (that primary grades use for science) that holds the pen the author used to sign the book next to it – an artifact, of sorts – touched by the author and saved for posterityauthors write!”

“On the wall behind the display case is a collection of photographs of the authors at the signings (using THEIR pen). I have pulled some of the books by the authors to be next to the display for students to check out, and all the authors have books in our collection.”

“The display has sparked many unconventional conversations with students. Their eyes widen in disbelief as I tell them that the author touched that very pen in our case. Then either their mouths open in awe, or their noses crinkle just before they start giggling – but they ALL ask for one of the author’s books. Students can receive the privilege to read the signed copy, with special circumstances (a great behavior incentive or hard-work-done, well-earned privilege).”

“So far I have Jon Sceszka (The Stinky Cheese Man), Mary Amato (Please Write in This Book, Riot Brothers, Word Eater), Kevin O’Malley (Once Upon a Cool Motorcycle Dude), Chris Barton (The Day-Glo Brothers and Shark Vs. Trains), Don Tate (Ron’s Big Mission), and this year’s (2011-2012) Bluebonnet Book authors Marilyn Singer (Mirror Mirror) and Dori Hillestad Butler (The Case of the Lost Boy).”

ketchup bottle
At a recent SoMIRAC (conference), author and illustrator Susan Stockdale told the audience how she grew up with a love for language in part because her mother used rhyme so playfully around the house.  Here’s one rhyme she heard many-a-time during her childhood at the dining room table:

Shake and shake the ketchup bottle, none’ll come and then a lot’ll.

The more wordplay you share with kids–whether you’re a teacher or a parent–the more likely they are to grow up having fun with language.

pencil and sharpener

Children have a lot of writing assignments in school. Often, time for creative writing is squeezed out of the curriculum. If you are a teacher who wants to introduce/encourage more creative writing, here are some ideas. Please email me at info@maryamato.com if you have ideas you’d like to share.

Keep a Writer’s Notebook. See my Tips for Keeping a Writer’s Notebook for more info.

Create a Writer’s Corner. Stock it with pencils, paper, materials for making mini-books, a mirror for looking at facial expressions (in order to be able to describe them), a phone book or baby naming book for character name ideas, and more.  Encourage kids to write a poem or story during free time. Encourage kids who are upset about something to write about it.

Try a “collaborative” journal with your class. In my book, Please Write in This Book, the teacher leaves a blank book in her room asking students to please write in it.

Be open to “silly” writing. Students may be inspired to write a story that you think is ridiculous or silly. Remember, creative writing is not about creating something perfect or something necessarily profound. Be open and encourage creativity, and the child will want to keep writing.

Encourage all kinds of writing. Stories, poems, songs, plays, cartoons, comics, etc.

Allow reluctant writers to dictate to you or a volunteer/assistant. Be a scribe, not an editor. Use the child’s exact words.

Embrace and encourage mistakes. The goal is to increase creative fluency and make writing fun. Save the grammar and spelling lessons for later. The truth is that my rough drafts are riddled with mistakes. I’m pushing myself to get something down without trying to edit as I go…children should be allowed to have the same writing process.

Ask questions if the student gets stuck. What is the story or poem about? If it’s a story, who is your main character and what does your main character want?

Talk it through one sentence at a time. If the student has trouble organizing or keeping track of thoughts, ask him/her to tell the story aloud one sentence at a time. Write down one sentence at a time.

Write yourself. Model enthusiasm by writing and sharing your own creative stories and poems– especially your “mistakes” or the ones that didn’t turn out as well as you’d like or the ones that you’re having trouble finishing.

Encourage the child to use his/her own voice. Rather than trying to “be poetic,”  or to cram lots of big words into a story, it’s important for a child to learn to capture his/her own voice.

Create venues for sharing writing.

  • Have a “literary reading” and invite friends and family
  • Create podcasts of work
  • Publish work on a website
  • Encourage students to submit to writing contests.
  • Establish a young author’s club
  • Hold a Young Authors celebration, publishing and sharing books

Try “dialogue journals”  between students. Link students who enjoy writing by encouraging them to write to each other by passing a designated notebook back and forth.

Give the gift of the written word. Model meaningful writing. Write real, meaningful messages to your class in your own voice on special days or for special events. No hallmark cards. Say what is really in your heart. This will make a big impression.

Create special “Everybody Writes” Sessions. Help kids to get in the mood by playing an unusual piece of music, lighting a candle (if your school allows this), dimming the lights, asking everybody to sit in a different seat, etc.

Shake things Up. Ask your students to get their creative juices moving by first dancing to an awesome piece of music and getting their bodies moving. Then sit down to write…


For encouraging story writing, use my WOW story technique to get started.

What is a WOW story?

WOW is an acronym that I created to help kids remember a simple story structure.

  1. The story has a main character who Wants something. This is the beginning of the story.
  2. There is an Obstacle that gets in the way of the main character. This is the middle of the story.
  3. The main character either Wins or loses. This is the end of the story.

How to make up WOW stories

  1. Choose a main character. This can be a person, an animal, or even an object: for example, a boy, a grandmother, a soccer star, a sock, or a paintbrush!
  2. Decide what the main character wants. What might a paintbrush want? Some paint to play with? To belong to a famous artist? Try unexpected ideas. A grandmother might want to ride a motorcycle!
  3. Decide what will get in the way of the main character’s desire. Brainstorm lots of obstacles and decide which one is the most fun or engaging. Obstacles can be simple. A rabbit wants to eat grass on a hillside, but a tiger lives on that hillside. The tiger is the obstacle. A boy wants a new bike, but his father says no. His father is the obstacle. Obstacles can also be emotions. What if a girl wants to ice skate, but she is afraid that she’ll fall down? Fear is her obstacle.
  4. Decide how/if the main character will “win or lose.” Does your main character get what he or she wants in the end? How?

Write or perform WOW stories

Write or dictate your story: Write your stories on paper. Or make a book by folding pages and stapling them together. If your child hasn’t learned how to write yet, ask him or her to tell you the story and write it down word for word.

Act your story out: For reluctant writers, try acting out the story first. After you have brainstormed the basics for a specific WOW story using the steps above, act out the story. Choose a narrator who will tell the story and provide cues for the actors. This can be the job of the parent or a child. The narrator should be very clear and say “The End” so that everyone knows when the story is over. After acting out stories, the child may be more interested in writing them down.

Copyright © 2011by Mary Amato. Permission granted to copy for educational use.

goodthief.gif
When Hannah Tinti, author of The Good Thief and editor-in-chief of One Story Magazine, gets bored writing, she doesn’t ask, “What happens next?” She asks herself this question: “What’s the weirdest thing that can happen right now?” At this year’s AWP conference, Tinti said that you don’t want weirdness for the sake of weirdness, but pushing yourself to think outside your own box can help move your story forward.

Teachers, if you can’t access youtube, try teachertube.

writing close up

Try these poetry writing activities based on Mr. Crew’s lessons in Edgar Allan’s Official Crime Investigation Notebook by Mary Amato

Metaphor Poem

When Kip doesn’t understand how to create a metaphor, Destiny says, “Thinks of candy…then think of something else that’s really fun, like a party. Then squash the two things together: Candy is a party in my mouth.” (p. 16) Choose a subject for a poem (a noun is easiest), and then try to write a metaphor poem about the subject.

Riddle Poem

Pretend that you are something else and try writing a riddle poem, like Edgar does when he writes his pencil poem (p. 48) and his nose poem (p. 52). It doesn’t have to rhyme. You might start with “I am…” but don’t reveal exactly who you are so that your classmates can guess when you read it aloud.

Rhythmic Poem

Think of a rhythm in your head (such as Da Dum Da Dum Da Dum) and try writing a poem with that rhythm (p. 78).

Confessional Poem

Imagine that you are a thief and you have stolen something. Write a poem, confessing your crime.

Parody

A parody is a literary work in which the style of another author is imitated for comic effect. Choose one of the poems that the thief leaves (p. 3, p. 66, p. 98, and p.199) and find the original, famous poem upon which Mary Amato based her parody. Then, choose a famous poem or song and try writing your own parody.

Graphic Design Activity:

Mr. Crew loves poetry and drinks Tennyson Tea. Create a 3-D box for Tennyson Tea that uses both poetic words and images to entice the customer to buy it.

Edgar Allan final cover
Edgar Allan’s Official Crime Investigation Notebook
By Mary Amato

To Discuss:
1. Edgar spies on his classmates in an effort to solve the mystery, and in the process he learns something important about each one. Specifically, he reads: Destiny’s poem about the willow tree; Taz’s article about osteosarcoma; and Patrick’s poems about his parents’ divorce. Do you think Edgar should have read these items? What did he learn about his classmates?

2. On page 59, Edgar wonders if everybody has a secret sadness. What do you think?

3. Why do you think Mr. Crew likes his students to have a moment of silence before they start to write?

4. Describe Edgar’s weakness and strengths.

5. Authors often deliberately repeat images or details in a book. For example, Edgar says that giving up would be like handing Patrick a big bowl of victory with whipped cream on top (p. 20) Later, after he writes his “Inside ” poem, Edgar helps himself to a big bowl of ice cream with whipped cream on top (p.95). Why do you think Mary Amato chose to do this? Dogs are another repeated image throughout the book. Discuss where and how dogs are mentioned or appear in the book. Why do you think Amato chose to have Edgar wish he could have a dog?

6. In the first part of the book, Edgar doesn’t like poetry, is embarrassed that his parents are clowns, believes that Destiny and Taz are always happy, and says that he hates Patrick several times. Describe how and why Edgar’s feelings about topics change by the end of the book.

7. See Mary Amato’s revision example and discuss how and why she revised.
Bonus Mystery:
Many of the characters in Edgar Allan’s Official Crime Investigation Notebook are named after famous people. See if you can figure out who the following characters are named after.
Edgar’s art teacher, Ms. Cassatt:
Edgar’s music teacher, Ms. Schubert:
Edgar’s science teacher, Ms. Herschel:
Henri’s band director, Mr. Copland: