People ask where ideas for books (or scenes within books) come from. I think one of the most important things to do is very simple: Pay attention when you laugh. If you are sharing an anecdote or a family story with a friend, and you’re laughing about it, that means there’s some gold to mine in that story.

The Naked Mole-Rat Letters

For example, when talking with other parents about the trials of parenting teens, I would often retell the story of my brother-in-law literally taking the bedroom door of my teenage nephew off the hinges to force more transparency into the household. We’d laugh over it. Then when it came time for the father in my The Naked Mole-Rat Letters to do something radical to show his daughter than he wanted her to stop lying and hiding, he went for the power screwdriver. The scene had humor, truth, and heart…all because of that detail.

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In Matilda, Roald Dahl’s characters discuss the need for humor in children’s books; Matilda begins:

“I think Mr. C.S. Lewis is a very good writer. But he has one failing. There are no funny bits in his books.”
“You are right there,” Miss Honey said.
“There aren’t many funny bits in Mr. Tolkien either,” Matilda said.
“Do you think that all children’s books ought to have funny bits in them?” Miss Honey asked.
“I do,” Matilda said. “Children are not so serious as grown ups and they love to laugh.”

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The characters in Edgar Allan’s Official Crime Investigation Notebook write lots of funny poems. Download this pdf to discover how to write your own humorous poetry:

How to Write a Funny Poem by Mary AmatoEdgar Allan final cover